Are You Ready to Get A Record Deal?

Getting a Record Deal can be a real challenge but it's not impossible . If you really want a Record Deal you must be able to answer these questions first.

Are You Talented?

You don't need any talent to get a Record Deal, but not having talent will guarantee that you won't sell many records. Talent comes in many forms and you don't need to be able to sing, rap, or play an instrument like a virtuoso, but you do need some form of talent.

Talent Defined (Key Term):

We define talent as "the ability to get people to pay you for what you do". Many people are critical of popular artists like Brittney Spears, Madonna and a lot of today’s rapper's. Some wonder how these so called talent-less individuals ever received a record deal. One thing all artists with record deals have is talent. The artists who have record deals have some form of talent. You must be talented to get a record deal.

Can You Entertain?

In today's music biz, the ability to entertain beats the ability to sing. If you want a record deal you have to be good at entertaining. Record Companies are looking for people who can compel fans to buy the artists music, attend shows, and conduct compelling interviews in the media.

Definition of Entertainment:

We define entertainment as "the ability to provide value to those who pay attention to you". There are a many comedians who can't sing, but they fill venues that seat thousands of people because they can entertain. As an artist, if you can entertain you can get a record deal.
Value is anything that produces positive a result. What is your value? What positive results does your music or brand provide?

To get a record deal, you’ll need to have proven results. The days of record companies signing talent on the hunch of an A&R rep are over. Today, getting signed is about the value (in dollars) that your music brings to the record label.

Talent isn’t a value unless it produces a positive result. I’ve seen many people talk about having talent and I almost believe them – until I see or hear them perform. More importantly, talent isn’t talent unless someone will pay for it.

Can you make your fans feel your emotion? Do your fans get excited when you are around? Do your fans get turned on when they see a photo of you? Can you look good on T.V.? Can you relate to a specific market? Do your fans ‘bob’ their heads when they hear your music? Do your fans find your lyrics cleaver or inspirational? These are all values, because they present a positive result for your fans.


What is Your Fan Conversion Rate?

Do you have a huge fan base? How many of your fans have purchased your music?
In [music] business, numbers and ‘conversions’ (the amount of consumers that actually pay for your product) are the new name of the game. In the music business your fans are your potential consumers. You have to convert your fans into paying consumers. More importantly, you have to have proof of your fan to consumer conversions. Once you have a high fan conversion – or sales rate, you’ll in be ready to get a record deal.

Keep records off all of your sales to fans.

Keeping a record of your sales will help to keep your music business career honest. You may be able to inflate your sales numbers, but it can also ruin your credibility. Know how many people are listening to your music and then buying your music. For a record label the ability to ‘forecast’ how well your music or band will sell in the marketplace is based on prior results. Business always looks backward to plan the way forward. In the music business, your past success is a prediction of your future success. Assure the record labels that their investment in music or brand will be successful and you will get a record deal.


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Nobody Said The Music Business Was Going To Be Easy

It truly is a jungle out there -filled with: snakes, rats, rabid carnivores, sharks…well, you get the picture. In the course of your musical journey, there will be confrontations, arguments, misunderstandings, and miscommunications. You’ll get jerked around, screwed over, ripped off and disrespected.

So, you want to be a rock star? Welcome to your nightmare.

But this is also a business of good people, who’ll give you opportunities and chances and help you out when you least expect it. That’s why it’s so important that you, as musicians and as a band, act professionally and respectfully regardless of the behavior of those you encounter. You don’t have to be a pushover and of course, you have a right to defend yourself against the questionable actions of others, but the music community can be a very small town and the behavior you exhibit will follow you throughout your musical career.

On the flipside of that, there are musicians out there who, either knowingly or unknowingly bring negativity on themselves through their own actions. Short temperedness, egocentricism, brazen entitlement, compulsive lying and just plain old psychotic behavior can brand your band as troublemakers and deprive you of important opportunities that you need to move forward in this business.

So, how can you make sure that you’re doing onto others as you wish they would do onto you? What can you, as musicians do, to eliminate aspects of your personality that may be causing bad blood between you and the people you run across on your way to superstardom?
The following are a few tips that may help you to make sure you’re exhibiting professional behavior at all times:

1.) Be Timely And Courteous
Whether you’re playing out live or emailing booking inquiries from home, there is never a substitute for courteously or timeliness. At gigs, show up when you’re supposed to, be friendly, treat others with respect, set up quickly, end your set on time, break down quickly, be mindful of other bands on stage, compliment those around you and don’t forget simple things like, “please” and “thank you.” When you leave a positive impression in people’s minds, you’ll be high on their list when it comes time to fill an open booking slot, recommend a band for a review, etc.

2.) Make Sure Your Actions Match Your Words
It’s such a simple thing but you’d be surprised how many musicians seem incapable to doing what they say they’re going to. If you book a gig, show up and play. If you say you’re going to bring twenty friends and fans to your gig, do it. If you reserve an ad in a local music magazine, pay for it. If you write a check, make sure that it doesn’t bounce. If you say you’re going to send out a press package or a CD, mail it. It is true that many people in the music business are distrustful of bands that they don’t know, and with good reason in many instances. Build your good reputation in the industry by proving that you will do what you’ve promised. Start small. Once you’ve gain people’s trust, you’ll see more and more doors opening up for your band.

3.) Take The High Road
It may be tough but there’s nothing to be gained from returning someone’s improper behavior with a heap-load of your own. That doesn’t mean that you need to let every industry slime-bag from New York to LA ride roughshod all over your music project but there are ways to deal with the negative behavior in this business without branding yourself with a label equally as negative. Sending firm yet professional letters, making intelligent and informed phone inquiries and, if need be, taking legal action against those who have acted inappropriately are ways to handle unpleasant situations without drawing negative attention to yourself. Public scenes, yelling and screaming, long-winded and ranting emails, threats and accusations and spiteful actions may make you feel vindicated but it may chase away the good people as well as the bad and that just sets your band back.

4.) You Can’t Undo What You’ve Already Done
It’s much harder to undo past bad behaviors, or reverse negative reputations than it is to foster positive ones. It’s best when starting out to avoid acting rash as a rule. If you have a band member that is incapable of keeping his or her cool, perhaps it’s time to rethink his or her place in your group. The entertainment industry has a long memory and a spiteful tongue. Make sure when people speak of you, they’re speaking well.

This may all seem like such common sense that it isn’t even worth mentioning but you’d be surprised how many shows, interviews, tours, and record deals have never materialized because of burned bridges.

You may have talent and great tunes, but if your attitude sucks you’ll get passed over time and again. No one wants to work with rage-aholics, egomaniacs or crazies. Don’t let anyone think that’s what your band is about. Sure it’s important to be creative geniuses but if no one likes you, you’ll be performing your masterpieces in the garage for grandma and her Pomeranian. Get smart and treat people right and you may find yourself rockin’ all the way to the bank.

Sheena Metal is a radio host, producer, promoter, music supervisor, consultant, columnist, journalist and musician. Her syndicated radio program, Music Highway Radio, airs on over 700 affiliates to more than 126 million listeners. Her musicians’ assistance program, Music Highway, boasts over 10,000 members. She currently promotes numerous live shows weekly in the Los Angeles Area, where she resides. For more info: http://www.sheena-metal.com.

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Jeronimo!!! Black






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The Ugly Truth About Radio Airplay

This is a real post, from a real DJ. It was ripped from a popular radio insider website:

"Our PD has recently told us that we must only play songs in the mixes that are in the station's rotation. It seems that they are automatically assuming that if we are playing a song that is not in rotation then it must be payola.

I'm simply trying break new songs. I dj at several clubs and get mad response on several cuts that I'm not allowed to play in the radio mixes. I don't stray to far from the playlist, I might introduce one new song per 20min mix. What is wrong with that?

I know that payola exists. What has me puzzled is what or who determines the music rotation and why can't new songs be introduced by none other than the PD? especially when the PD is over 50yrs old and does not have a ear for this so called music that is out today.

Our station plays a lot of unheard of artists that do not have hits but yet when we try to introduce a hit during the mixshows we are not allowed. So, my question is, who is really getting paid for play? I realize the PD is the boss but I don't understand why the playlist is so tightly controlled, especially when we are in a market without competition. "

** Moral of the story** don't waste your time trying to get radio airplay. There are too many other outlets that you can use to expose your music and they don't require paying some 50 year old, out of touch PD (Program Director) who is only concerned with keeping his job.

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My Suggestions for Bio Writing



LOL...Ok, so, I'm clicking around the web checkin' for hot new artists and something that never fails to make me laugh are these bio's written in the third person. These insanely funny Bio's usually usually go something like this:

"Hailing from somewhere between sonic decadence and inspired writing is the artist known as Stupid Bio Writer . Stupid Bio Writer started his career in the back of the classroom with a pointed dunce cap on. As a little boy Stupid (as he would become known as) always knew that he would one day do something so important that he could afford to talk about himself in the third person. Because his music is mediocre, he feels a need to make himself seem bigger than his fans, who he provides no inspiration..." Bla Bla Bla

When I was Music Director, at numerous Radio Stations, I would always make fun of the idiots who wrote, or allowed, someone to write a Bio for them, that spoke in the third person for the artist.

Here's my suggestion, do not write your Artist Bio in the third person. Fans want to feel like they know something about you - not about your publicists writing ability. If you are an aritst, you must write your Bio, in a fashion, that allows those interested in you - to learn about you.

Try something like this: "I was born and raised in Detroit. My musical influences are wide, because I grew up listening to every kind of music from Classic Rock to Disco to Motown to early punk and new wave. As I grew up I fell in love with Hip-Hop and have been producing beats every since..."

The key with writing Bio's is, truth trumps creativity. Keep it real with your Bio's and your success at impressing people will greatly improve.

Jeronimo Blackhttp://www.simbiz.info/
PS. Check out this hot new artist: http://www.myspace.com/davebarnes


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Using Your Heart To Sell More Of Your Music To Fans

Public Relations (PR) in the music business seems to be dead. The days of red hot recording artist warming the hearts of fans have been frozen in time by cold yet ubiquitous marketing tactics.

Artists used to stay at the top of their fans hearts by doing really cool things for their fans. Artists used visit fans in the hospital, dedicate songs at concerts, to fans who were sick or dying, and artists used to actually meet the President's of their fan clubs.

If artists are going to differentiate themselves and sell more records to fans, they are going to have to start what I call "Heart Marketing" . Heart Marketing involves touching the hearts of fans - or, more importantly, showing the fans that the artist has a heart.

For example; Ludacris went to the school of one of his[female]fans to perform at a pep rally. "Luda " did this just as the media was starting to bash him for his lyrics ("move bitch..."). Needless to say, Luda's critics all fell silent (for the moment) after this great show of heart (PR). Oprah Winfrey (one of Luda's most powerful critics) even had Ludacris on her show, as a panelist for the movie Crash.

Most major labels and artists have ignored the fact that fans are more than money. Fans have feelings and can be moved to buy more units with Heart Marketing. Artists can turn fans into artist advocates and walking talking advertizements with one act of kindness.

Rascal Flatts, while accepting a Country Music (CMA) Award, in 2006, sent a shout out to a woman who was not doing well in the hospital - that's Heart Marketing. Country Music has Heart Marketing down to a science. Other formats should really consider Heart Marketing as part of it's overall marketing strategy.

Heart Marketing is a win win for everybody. All labels need to consider that fans look to artists for more than just music. Fans look to artists for many things including; inspiration, style and the ability to stir their emotions.

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The Ugly Truth
About gifts and airplay

I'm really pissed. As I was clicking around the web today I came upon a blog that suggested that an artist can get airplay by sending pizza or some other gift to a radio station - WTF?

Providing a gift of any kind to a radio station is considered Payola - Plugola. A radio station employee (Program Director, Music Director, Air Talent etc) cannot accept any gift, from any artist, or record company in exchange for promotional consideration or airplay. No radio station (nor any smart DJ) will take the chance. Between the fines, the possible criminal record, the embarrassment and possibly ruining their career, no smart radio employee will accept your gift (or money).Don't waste your time trying to get radio airplay. I know that game and it's stacked against Indie Artists - in favor of Major Label Artists.

All the best,
Jeronimo Black

Click Here to Discover the Secrets of Success in Today's Music Business. Or log onto www.simbiz.info.

What is more important in today's music business?

A.) Having a great sound?
B.) Executing a great marketing strategy?

If you chose "B", you may be on your way to stardom. In today's music business, having an effective web marketing strategy can make the difference between you being a local, national or international music star.

A key element in your web marketing strategy should be the selection of your bands name. Why? Because your bands name will also become your bands keyword on the Internet.

I'm sure you've heard of references to AOL Keywords, but AOL isn't the only place where people use keywords for search. Google, Yahoo, MSN, ASK and many other search engines use keywords to help millions of people find what they are looking for on-line.

If someone is looking for information about your band on the Internet, they are most likely, going to type your bands name into a search engine. When the search engine returns the results, you'll want your website, or your myspace page to be in the top of the listings.

My suggestion is to choose a crazy (or very creative) keyword. A crazy band name, when used as a keyword, will help your listings in search engines beyond your wildest imagination.

For example, let's examine two keywords for two music acts - "Panic At the Disco", a rock band and "Algebra" a soul and r&b group. When I Googled Panic at the Disico, Google returned 10,300,000 results. On the first page of Googles search results, every listing led me to information about the rock band, Panic At the Disco.

The very first Google listing, for Panic at the Disco, was for the bands video "It's Better If You Do". The second listing for Panic at the Disco was their bands website, panicatthedisco.com. The third result was Panic At the Disco at purevolume.com. The fourth result was Panic at the Discos' myspace page. Fith was Panic at the Disco lyrics.

Get the picture? The first page in Googles' search results were all Panic at the Disco. Panic at the Disco is on an Indie Label.

Now let's briefly look a Algebra, a R&B Group on a Major Label.

I Googled Algebra, and you can guess my results. The term "Algebra" returned 86,000,000 results in Google. Algebra, the R&B Group wasn't listed anywhere in the first 10 pages of results. Most people doing searches will not dig past page two - in any search engine. The likelihood of the R&B Group Algebra, having any success on the Internet (from a marketing stand-point) is very slim.

So the lesson to be learned here is: choose a crazy or creative keyword and band name. With a crazy keyword people can find you easily on the Internet and that can improve your on-line marketing efforts by over 100%

To learn more about succeeding in today's music business, visit my website, http://www.simbiz.info/.

Wishing you music success.

Jeronimo Black

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If you are a Hip-Hop Artist, then you should know Wendy Day, founder of Rap Coalition.

Below is a great article broadcast yesterday on NPRs' MarketPlace.
http://marketplace.publicradio.org/shows/2006/07/19/PM200607197.html


All the best,

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While chillin' with my son today, he casually said to me "Man I just want to get a record deal so I can get my music out there.." When he said that, I would have pulled out my hair if I hadn't shaved it off this morning.I told my son "it isn't really difficult to start a record label..." He then replied "I don't think I have the money to start one..." Now, I'm thinking about pulling out my eyebrows because he obviously hasn't been to my website. I have a free article that basically gives away the information on starting a record label.I informed my son that "...starting a record label only cost about $500 - max. Of course, I encouraged him to check out my website http://www.simbiz.info/ and read the article Start Your Own Record Label. I hope he checks out the article and I hope you do to.All the best,Jeronimo!!

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Women: Band Together to Re-tune the Sound of Today's Music
by Jeronimo Black

If you're a woman in the Music Business, I know you're tired of talentless 'Fem-bots' and their pop drivel. I know you're tired of the music charts being stacked with artist who amount to lip-gloss and boobs on legs. If you're a woman in music, you must be sick of truly compellingly emotive lyrics being ignored, while bubble-gum limericks top the music charts.

You may ask yourself, "how is it that my songs reach deep into the soul of every woman, but I can't reach more than a few?" If you've asked [or your close friends] this, the answer is inside of you.

What organizations are you a part of? There are many Women in music organizations that can help you with your music. From songwriting, to music promotion, there are many organizations that serve Women in music. To get started, check out http://dmoz.org/Arts/Music/Women_in_Music/Magazines/. Browse around and join some of the Women in music groups.

In the Music Business, a woman's need for individuality, and the need to be 'the one', is only reinforcing the sonic glass ceiling in the Music Business. The sonic glass ceiling the invisible organizational barrier that prevents many women, in the music biz, from attaining the results, they desire from the Music Business.

The women who do succeed in the Music Business, use their leadership abilities to force cracks in the sonic glass ceiling and burst into the stratosphere. This article provides some tips that Women in music should consider in order to dance in the stratosphere.

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